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Articoli Online First

Il corpo come luogo di negoziazione di significati digital
formato: Articolo | COMUNICAZIONI SOCIALI | Online First
Anno: 2019
The paper focuses on the relation between body, subject and identity in the field of performing arts (i.e. dance and theatre). The starting point of the reflection is that, despite Identity Studies (Disability Studies, Feminism Studies, Queer Studies etc.) and artistic practices which question the categories of body, health, subjectivity and identity, theater scholars are far from adopting methodological and linguistic instruments that are suitable for the interpretation of the artistic and philosophical contemporary scenario...
€ 6,00
Parole sul video: linguaggio audiovisivo, comunicazione e afasia digital
formato: Articolo | COMUNICAZIONI SOCIALI | Online First
Anno: 2019
The article aims to present results of an experimental research projecton the perception of aphasic people and pragmatics of multimedia languages. The research was conducted at the Interdepartmental research centre Cinedumedia (Department of Philosophy and Education, University of Turin) and it was funded by Carlo Molo Onlus Foundation (Turin), in 2014-2016...
€ 6,00
Tra realtà e racconto: la messa in forma di una vita nel cinema hollywoodiano e nella fiction italiana digital
formato: Articolo | COMUNICAZIONI SOCIALI | Online First
Anno: 2019
The essay deals with the genre of the biographical film, and is based on one side upon theoretical research and on the other on the experience of the author as script consultant for a good number of biographical Tv miniseries that have been broadcasted in the last fifteen years in the main Italian channel RaiUno. The biopic is a genre that is very popular both in Hollywood and in Italian television...
€ 6,00
Between ‘first person shot’ and ‘classical hollywood style’: the igen’s viewing experience in contemporary cinema digital
formato: Articolo | COMUNICAZIONI SOCIALI | Online First
Anno: 2019
In this article I will analyse three case studies – Chronicle (Josh Trank, 2012), Unfriended (Levan Gabriadze, 2014) and The Visit (M. Night Shyamalan, 2015) – starting from a premise and posing a question. The premise: the gaze on the world of the so-called iGeneration (or post-millennials) is more and more mediated by technical proxies – portable devices, wearable technologies, virtual reality – which redefine viewing paradigms and production/consumption/sharing models of moving images. Our sensorial experience is indeed more and more mediated by the software as cultural interface which keeps on evolving, and less and less by ‘machines’ as hardware...
€ 6,00

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