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The “sweet creativity”, between electronic art and experimental cinema

digital The “sweet creativity”, between electronic art and experimental cinema
Articolo
rivista COMUNICAZIONI SOCIALI
fascicolo COMUNICAZIONI SOCIALI - 2014 - 3. (En)gendered creativity. Actors Agencies Artifacts
titolo The “sweet creativity”, between electronic art and experimental cinema
autore
editore Vita e Pensiero
formato Articolo | Pdf
online da 2014
issn 03928667 (stampa) | 18277969 (digitale)
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Far from the vehemence of the creative gestuality of women connected with electronic art and experimental cinema, between the end of the 1960s and the early 1970s, I would like to propose the idea of a sweet creativity as a mark style of artists who today, speaking about femininity, work with experimental languages. Over time, female paths of audiovisual experimentation developed towards heterotopic territories, to use a term coined by Foucault, other territories, finally independent from logics of confrontation-collision with the masculine. The choice of the works I present in the paper aims to be paradigmatic of a feminine poetic discourse where women-artists investigate themselves and the relation they have with the world, filtering everything through an introspective capacity, a poetic thought and a loving and compassionate gaze which transits through the eye of the camera.

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