In the complex network of phenomena and practices related to the use and dissemination of digital media within the scenic and performative device that takes the name of intermediality performance, the issue of environmental sustainability is certainly central. In the performing arts, a particular sustainability model is negotiated and staged. First of all, just the particular conformation of the scenic medium that, since the advent of the cultural industry, becomes a space in which to think about technological obsolescence, and therefore about the sustainability of digital technologies, allows a close reflection on the themes of technology and environmental sustainability...

“iGen” (or Generation Z, or Post-Millennials) (Twenge, 2006, 2017; Rosen, Carrier, Cheever, 2010) identifies a generation of teenagers and children, born between 1995 and 2012, which, since childhood, uses digital devices for communication, entertainment, learning. Digital media affect every sphere of iGen’ers’ social and cultural experience and impact, therefore, also on the forms of film consumption...