Giulia Fanara
Titoli dell'autore
Pieghe d’amore. Tra-vasi dal femminismo italiano a un modello emozionale di cinema
digital

formato:
Articolo
| COMUNICAZIONI SOCIALI - 2007 - 2. Genere e generi. Figure femminili nell'immaginario cinematografico italiano


Anno:
2007
The essay describes the interlacement between the feminist movement and practices and the film theory in
Italy.It is not a chronological path, but the tale of a trip, which begins from the corporeal being, the memory
of the body, and reaches to the concept of Mother, as fundamental space of the thought of difference. A space
– as Deleuze says – of ‘intensive emotions’, which opens new approaches for the film analysis and new positions
for male and female spectators.
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