«Sorridi alla mamma!». Presenze materne nelle pratiche cine-amatoriali
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The essay investigates the representation of femininity in the films about family. The analysis develops between the reconstruction of the figure of woman in promotional texts aimed at promoting the recovered use of domestic technologies in the first decades of the century. It also examines the presence/absence of the mother’s figure in films about family. It shows a framework full of implications, and in which what appears (and what does not appear) reveals a different and unexpected sense and meaning. In particular the woman, despite not being the architect nor the protagonist of the shooting, confirms herself as Deus Ex Machina of the filmed memories of the family.
Towards the Platformization of (Social) Media Memory: Articulating Archive, Assemblage, and Ephemerality
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