Il film di famiglia come set analitico
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This paper proposes the application of psychoanalytic categories to family film. In particular it seeks to reconstruct how, within the text understood as a psychic device and filmic mechanism, it is possible to isolate and describe certain structures of ordering the representation and interpretation of reality. These structures would assume the character of an Ordering Gaze, capable of (paradoxically) mystifying reality at the very moment when they subject it to a memorable fixedness, and can be assimilated to Lacan’s concept of the ‘Name of the Father’. Starting from the recognition of the dialogue with these Names of the Father, it is possible to construct a negotiated relationship between the family film and the non-family viewer.
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