L’opera d’arte si apre: una nota su corpo e performatività nelle azioni di Gina Pane - The artistic work opens up: considerations on body and performativity in Gina Pane’s actions

digital

Articolo

Rivista

Fascicolo

COMUNICAZIONI SOCIALI - 2014 - 1. Il teatro verso la performance

Titolo

L’opera d’arte si apre: una nota su corpo e performatività nelle azioni di Gina Pane - The artistic work opens up: considerations on body and performativity in Gina Pane’s actions

Autore

Caterina Iaquinta

Editore

Vita e Pensiero

Formato

Articolo |

Pdf

Online da

05-2014

Issn

0392-8667 (stampa) | 1827-7969 (digitale)

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Descrizione Commenti dei lettori

The paper presents a reading of Gina Pane’s work related to the seventies and explores aspects of it related to the function of the body and performativity. In an attempt to move beyond the “classic” interpretations of the artist’s work, related primarily to Body Art, the paper explores the possibility of analysing the same formulations with discursive elements of her visual language, which have found one of their fundamental embodiments in performativity. Through the analysis of Action Autoportrait(s), an action dating from 1973, it focuses on the visual and semantic composition of the photographic images and objects, public participation and the nature and function of signs.

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