La famiglia e la sua immagine: il film di famiglia nell’Italia del miracolo economico
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In the years of the economic miracle, the Italians filmed the family model they were pursuing. Modern Italy began to have a single, recognizable face. Through a comparative analysis of the modes of representation in home movies and in films commissioned by the government from the 1950s on as part of its policy of modernizing the country, we can trace certain correspondences that gave rise to the new model of the Italian family. The paper focuses on some exemplary themes in home movies (vacations, the automobile, amusements, the home) and analyzes the harmonies with the modes of representation found in institutional shorts, such as those found in the ‘Settimana Incom’, devoted to the same subjects.
Towards the Platformization of (Social) Media Memory: Articulating Archive, Assemblage, and Ephemerality
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COMUNICAZIONI SOCIALI - 2021 - 1. Arts-Based Research in Communication and Media Studies
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