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Dal teatro drammatico al teatro performativo: una nota su Hans-Thies Lehmann - From dramatic to performative theatre: Hans-Thies Lehmann

digital Dal teatro drammatico al teatro performativo: una nota su Hans-Thies Lehmann - From dramatic to performative theatre: Hans-Thies Lehmann
Articolo
rivista COMUNICAZIONI SOCIALI
fascicolo COMUNICAZIONI SOCIALI - 2014 - 1. Il teatro verso la performance
titolo Dal teatro drammatico al teatro performativo: una nota su Hans-Thies Lehmann - From dramatic to performative theatre: Hans-Thies Lehmann
autore
editore Vita e Pensiero
formato Articolo | Pdf
online da 05-2014
issn 03928667 (stampa) | 18277969 (digitale)
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The question of the relationship between the dramatic text and spectacle has bulked steadily larger in the theatrical debate in recent years. The affirmation of epic theatre, Szondi’s studies on the decline of “absolute” drama, the emergence of performance and the happening, the reinvention of the formal paradigms created by authors such as Samuel Beckett, Heiner Müller and Sarah Kane, and experiments in collective creation bring out the need to rethink an active role for the viewer in the theatrical event. Against this backdrop there appears the drift of so-called dramatic theatre, theatre conceived as a function of the performance of a written script. The theory of theatre, seeking an appropriate vocabulary to define the phenomenon, has not yet settled on a single solution. The most successful suggestion is that by Hans-Thies Lehmann, who speaks of postdramatisches Theatre (postdramatic theatre).

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