The “sweet creativity”, between electronic art and experimental cinema
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Far from the vehemence of the creative gestuality of women connected with electronic art and experimental cinema, between the end of the 1960s and the early 1970s, I would like to propose the idea of a sweet creativity as a mark style of artists who today, speaking about femininity, work with experimental languages. Over time, female paths of audiovisual experimentation developed towards heterotopic territories, to use a term coined by Foucault, other territories, finally independent from logics of confrontation-collision with the masculine. The choice of the works I present in the paper aims to be paradigmatic of a feminine poetic discourse where women-artists investigate themselves and the relation they have with the world, filtering everything through an introspective capacity, a poetic thought and a loving and compassionate gaze which transits through the eye of the camera.
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