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Towards the Platformization of (Social) Media Memory: Articulating Archive, Assemblage, and Ephemerality

novitàdigital Towards the Platformization of (Social) Media Memory:  Articulating Archive, Assemblage, and Ephemerality
Articolo
rivista COMUNICAZIONI SOCIALI
sezione Online First
titolo Towards the Platformization of (Social) Media Memory: Articulating Archive, Assemblage, and Ephemerality
autore
editore Vita e Pensiero
formato Articolo | Pdf
online da 01-2021
doi 10.26350/001200_000098
issn 03928667 (stampa) | 18277969 (digitale)
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Although the platformization process has been intensively studied, a better understanding is needed of how it has affected media dynamics such as the formation of media memory. The original contribution of this paper to the research field is, thus, to highlight the interrelatedness of issues, such as media memory, social media, and the platformization process that are usually considered independently. To achieve this, three theoretical frameworks ‒ media and memory, social media logic, and platformization ‒ will be bridged by means of the platformization of cultural production of Nieborg and Poell with the aim of analysing the case study of the Festival di Sanremo, chosen because of its relevance to the Italian mediascape, Italian cultural memory, and social media presence. The argument will demonstrate that the ongoing process of platformization of media memory is operating in three dimensions: archive, assemblage, and ephemerality. The analysis of the case proposed will also help to highlight the fact that the platformization process is not an unavoidable end, but that there are margins of resistance to it adopting digital platforms connected to mainstream social media ones though independent of them. Issues left open are the governance and the responsibility for custody of media memories, the risk of a fragmented use of archived contents, the decontextualization of media memories, their (mis)appropriation, manipulation, hegemonic selection, and the threat that media memory may become a commodity, reactivated only when necessary and at the mercy of social media platforms’ policies.

keywords

Social media; media memory; platformization; festival di Sanremo; archive.

Biografia dell'autore

Università Cattolica del Sacro Cuore, Milan ‒ elisabetta.locatelli@unicatt.it.

Ultimo fascicolo

Anno: 2020 - n. 3

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