Dal teatro di gruppo alle residenze teatrali. Società, comunità, territorio in Piemonte

digital

Articolo

rivista	COMUNICAZIONI SOCIALI
fascicolo	COMUNICAZIONI SOCIALI - 2007 - 3. Comunità in atto. Conflitti globali, interazioni locali, drammaturgie sociali
titolo	Dal teatro di gruppo alle residenze teatrali. Società, comunità, territorio in Piemonte
autore	Francesca Gentile
editore	Vita e Pensiero
formato	Articolo \| Pdf
online da	03-2007
issn	0392-8667 (stampa) \| 1827-7969 (digitale)
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Descrizione Commenti dei lettori
From the second half of the century, the history of theatre in Italy has been built around the concept of Theater as a public service. Through the foundation of the Teatri Stabili, the Italian society has put the focus of attention on the value of theatre as a cultural public service, addressed to the greatest possible number of citizens. This concept was criticized, from the end of the 1960s, by an entire political and social movement, claiming for the possibility of a self-managed culture, as an enhancement not only of fruition of these instruments, but also of production. The 1970s became in this sense the years of the greater experimentation of a new political and social value of theatre. They are the years of theatrical animation, decentralization, basic groups, theatrical cooperatives, group theatre, avant-garde Theatre, and of both aesthetic and ethical communities. The text reconstructs this development trying to highlight the problems which determined the failure of a revolutionary vision of theatre, trying to identify which of its lines survived in the following decades. It also highlights which experiences could be meaningful today, in an historical moment in which it is urgent to think of culture and art as occasions of social cohesion and communitarian reinvention. Inserisci un commento per Dal teatro di gruppo alle residenze teatrali. Società, comunità, territorio in Piemonte

Descrizione Commenti dei lettori

From the second half of the century, the history of theatre in Italy has been built around the concept of Theater as a public service. Through the foundation of the Teatri Stabili, the Italian society has put the focus of attention on the value of theatre as a cultural public service, addressed to the greatest possible number of citizens. This concept was criticized, from the end of the 1960s, by an entire political and social movement, claiming for the possibility of a self-managed culture, as an enhancement not only of fruition of these instruments, but also of production. The 1970s became in this sense the years of the greater experimentation of a new political and social value of theatre. They are the years of theatrical animation, decentralization, basic groups, theatrical cooperatives, group theatre, avant-garde Theatre, and of both aesthetic and ethical communities. The text reconstructs this development trying to highlight the problems which determined the failure of a revolutionary vision of theatre, trying to identify which of its lines survived in the following decades. It also highlights which experiences could be meaningful today, in an historical moment in which it is urgent to think of culture and art as occasions of social cohesion and communitarian reinvention.

Inserisci un commento per Dal teatro di gruppo alle residenze teatrali. Società, comunità, territorio in Piemonte