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Il soggetto in scena: sulla performatività dopo la metafisica a partire da Derrida, Artaud e Lacan - The subject on stage: performativity after the metaphysics starting from Derrida, Artaud and Lacan

digital Il soggetto in scena: sulla performatività dopo la metafisica a partire da Derrida, Artaud e Lacan - The subject on stage: performativity after the metaphysics starting from Derrida, Artaud and Lacan
Articolo
rivista COMUNICAZIONI SOCIALI
fascicolo COMUNICAZIONI SOCIALI - 2014 - 1. Il teatro verso la performance
titolo Il soggetto in scena: sulla performatività dopo la metafisica a partire da Derrida, Artaud e Lacan - The subject on stage: performativity after the metaphysics starting from Derrida, Artaud and Lacan
autore
editore Vita e Pensiero
formato Articolo | Pdf
online da 05-2014
issn 03928667 (stampa) | 18277969 (digitale)
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The essay analyses the question of performance in philosophical-anthropological terms, setting it within the framework of the “end of metaphysics”. Drawing on the work of some of the most important interpreters of this line of thought, the essay explores the art of performance from the point of view of the expression of the human subject, in the light of the revolution of so-called post-modern upheavals. The work of Artaud, Derrida, Lacan, Lévinas and Grotowski are explored for what concernes the relations between subject and meaning. If the “classical representation” (“metaphysics”) suggested a subject as in some way dominated by an external and superior meaning text, how it is possible to conceive of a non-alienating mode of expression that speaks authentically to another subject and that truly rehabilitates the body?

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Anno: 2020 - n. 1

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