E l’attore entrò in azienda
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This paper runs through some personal memories of almost twenty years and the evolution of the relationship between the theatre and business with its needs in training, communication and problem-solving. It ranges from the period when ‘Business Theatre’ did not constitute either a clear and experimentable concept, and even less a conflict of copyright until the subsequent emergence and progressive development of a new practice that saw theatres and businesses open their doors to each other, often through the mediation of the immense archipelago of training. And with the memories there emerge questions and also doubts that have accompanied my exploration of a territory at first unknown and alien and then gradually more familiar, interesting and stimulating. There follow, finally, some concluding observations that are intended as a small contribution to a discussion with a great variety of accents and points of view, about the present expansion of the phenomenon, which is as dynamic as it was slow in germinating in Italy.
Towards the Platformization of (Social) Media Memory: Articulating Archive, Assemblage, and Ephemerality
Ultimi 3 numeri
COMUNICAZIONI SOCIALI - 2021 - 1. Arts-Based Research in Communication and Media Studies
COMUNICAZIONI SOCIALI - 2020 - 3. Saving the Planet Bit by Bit: Environmental Communication in the Digital Age