Il teatro nel mondo del lavoro. Un profilo dell’attuale: tecniche, modalità, possibilità
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Bringing together the world of work and the world of the theater is often considered a seductive but ‘scandalous’ operation in our culture, since it relates a system directed towards productivity, rationality and profit with a system of an artistic nature based on play, expressiveness and creativity. And yet the points of contact, real or potential, between the work-system and the theater-system are multiple: forms, instruments and techniques of theatrical origin have been used for some time now by businesses with different objectives. The world of work explores the world of the theater and is fascinated by its strength, its power to communicate, its playful dimension, the stage presence of the actor, the use of the body and the voice. This paper presents an overview of instruments of training in theatrical mediation. The last part reflects on a possible line of development for the future, hypothesizing the experience of the workshop and the training of the actor as an instrument for discovering the centrality of the worker-actor’s body-mind.
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