Anime incatenate. Le prostitute nel cinema italiano degli anni Cinquanta
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The essay seeks in the Domestic film production of the 1950s, the tracks of the debate about the presentation and approval of the Italian law Merlin. With a sensitivity heightened by the Neorealistic season, the Italian cinema denounces the most critical aspects preventing the process of rehabilitation and reintegration of prostitutes, exposing them to public judgment and sentencing them to live on the fringe of society.
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