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Tra finzione e realtà: attori, non attori e spettatori nel teatro del XXI secolo Questioni aperte novitàdigital
formato: Articolo | COMUNICAZIONI SOCIALI | Online First
Anno: 2020
The article focuses on the relationship between fiction and reality on the XXIth century stage and explores how actors and spectators are changing and shifting identities in the contemporary theatre. Starting from three historical and theoretical paradigms, the Erika Fischer-Lichte’s aesthetics of performative theatre, the notion of participatory art focused by Claire Bishop, the Richard Schechner’s theory of performance studies, the article draws on a series of case studies that refers to the “dramaturgy of the real”...
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From the West to the Kremlin and Back. The Development Paths of Foreign Products on Russian Television novitàdigital
formato: Articolo | COMUNICAZIONI SOCIALI | Online First
Anno: 2020
In the last fifteen years, Russia has started renovating its television system: new channels were developed and compete directly with the major channels of the Public Broadcasting System. A large number of foreign television productions were included in the schedules of most channels, both free and pay. State-owned and commercial televisions are strongly differentiated by the content they broadcast...
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La mediatizzazione di un patrimonio immateriale mediante la fiction televisiva: come le serie francesi ritualizzano il vino novitàdigital
formato: Articolo | COMUNICAZIONI SOCIALI | Online First
Anno: 2020
In France, wine has been considered a part of everyday life from a long time. It is a cultural object that builds an identity and an intangible heritage. This weighs on Occidental television as a pattern often to describe a typical ambience but also as a subject itself, almost a fictional character, even. This paper investigates French TV series, in order to analyse how wine is represented, how it stresses a cultural identity and a sense of belonging...
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Tra mito e serialità. I mutamenti del modello narrativo di Tex novitàdigital
formato: Articolo | COMUNICAZIONI SOCIALI | Online First
Anno: 2020
The serialization of Tex Willer’s character is one of the longest-running devices in the Italian cultural industry. Linked to the comics media experience, Tex is a prototype of the renewal process of the imaginary and the national identity, started in the immediate post-war period by the socio-economic ferments of the Reconstruction...
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Il museo abitato novitàdigital
formato: Articolo | COMUNICAZIONI SOCIALI | Online First
Anno: 2020
In this paper the contemporary museum is interpreted through the category of ‘living’: nowadays it is often lived as a place of performance, both individual and of the community, reconsidering its traditional role. Particularly, due to the presence of the collections of contemporary art, it is not any more a place of mere contemplation of the works of art, but a place where these works can be entered in and lived by visiting people. Referring to the theory of “relational art” by Nicolas Bourriaud and to the most recent theories of active heritage safeguarding (about intangible cultural heritage), the paper analyses same cases which show how museum is getting more and more a place to live and not simply a place to visit...
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The Concert will be Televised Il “live” come modello narrativo e produttivo nella musica pop e nei media novitàdigital
formato: Articolo | COMUNICAZIONI SOCIALI | Online First
Anno: 2020
The relationship between television and “live music” has been a weak one: the televisive dimension of music was mainly absorbed by the music video model, or by single performances in TV shows. The arrival of digital technology has profoundly affected the dynamics of the music industry: recorded music has undergone a sharp decline in sales while, at the same time, the relevance of live oncerts has increased. Live music has become the pivot of musicians’ careers and of the music industry as a whole ‒ therefore the offer of tours and concerts has multiplied. In the last 20 years, the resence of pop music on television has intensified, forming itself as a genre in its own right: the talent show....
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Introducing Religion into The Media: When the “Cathodic Clergy” becomes Violent novitàdigital
formato: Articolo | COMUNICAZIONI SOCIALI | Online First
Anno: 2020
This article addresses the media coverage of the film Hacksaw Ridge by the French online press at the time when the biographical war drama entered the public discourse. While this film was welcomed by an overall positive treatment in the American and international media, the French media generally focused either on the exemplary nature of the message (through the character and the real story of Desmond Doss, who, due to his own religious beliefs, has defended pacifism and non-violence as a “patriotic conscientious objector”), or on the deconstruction of the pacifist and non-violent message of faith, in the complex context of the World War, by emphasizing (in prominent secular and Christian media) the violent (secular and religious) character of the film through a terminology which encapsulates representations of violence...
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Social Celebrities digital
formato: Articolo | COMUNICAZIONI SOCIALI | Online First
Anno: 2020
Over the last few years, attention to the concept of celebrity culture has grown exponentially both in the academic field and in the broader social and cultural context. The widespread diffusion of social media, nowadays considered an effective communicative habitat instead of the set of “new” means of communication, has brought out a phenomenology of celebrity, which includes different types of stars and celebrities...
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Un mondo diviso, un oggetto mancante digital
formato: Articolo | COMUNICAZIONI SOCIALI | Online First
Anno: 2020
A careful reassessment of Fritz Lang’s use of cross-cutting in M. (1931) allows for three levels of analysis. The first, theoretical and methodological, shows how related frames can be construed, from a psychoanalytical perspective, as the relation between subject-object. A second and more critical reading, stemming from the first, highlights the problematic (and in some ways perverse) dynamics of yearning in post-war Germany...
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La socialità mediata digital
formato: Articolo | COMUNICAZIONI SOCIALI | Online First
Anno: 2020
This article analyses the online consumption styles and social relations of adolescents based on the integration of online and offline contexts, accounting for age and gender differences. With respect to this theme, the more recent national and international literature has considered the distinction between ‘real world’ and ‘virtual world’ anachronistic. Current studies consider online and offline spaces not as exclusive worlds to choose from but as two absolutely ‘real’ sides of the same experience...
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Atleta, divo e anti-eroe. Nuovi archetipi sportivi nel cinema italiano contemporaneo digital
formato: Articolo | COMUNICAZIONI SOCIALI | Online First
Anno: 2019
The history of Italian cinema has taken inspiration from the coeval athletic culture, transforming its dynamics and values during the Twentieth and the current century. Starting from the latest series of Italian films about sports, the essay want to focus on three different kinds of sportsmen in the contemporary imaginary...
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Albert Camus e il teatro di un uomo in rivolta digital
formato: Articolo | COMUNICAZIONI SOCIALI | Online First
Anno: 2019
In this paper we shall look Camus’ last text on dramatic art in order to introduce his most general thought about the deep and problematic relationship that exists between theatre, life and political action. Perché faccio teatro? [«Why do I deal with theatre?») is a speech that Camus prepared for a television broadcast transmitted on May 12 1959: the author not only explained where his profound passion for drama came from, but also explicitly answered critics who had accused him of backing out of his role of intellectual, due to his increasingly intensive engagement on the Parisian stages...
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