Arianna Frattali
Titoli dell'autore
“Preparatio mortis”: a solo for performer by Jan Fabre. “Folta la nuvola bianca delle falene impazzite”
digital

Anno:
2014
Using death as a lens to look at life in a different way, or constantly aspiring to a post-mortem stage of life itself...
€ 6,00
Nella Fortezza Alice incontra Amleto: “Hamlice” di Armando Punzo - Alice and Hamlet meet at the fortress: “Hamlice" by Armando Punzo
digital

Anno:
2014
Far from being the completed outcome of a historical and critical stocktaking of the over twenty years of work by Armando Punzo and the Compagnia della Fortezza in Volterra Prison, this brief paper presents a possible reading of Hamlice...
€ 6,00
«Je parle des farces, ou il n’y entre qu’une seule femme». Le salon théâtral de Paolina Secco Suardo Grismondi
digital

Anno:
2012
RIASSUNTO
La ricerca ricostruisce, basandosi su fonti dirette e materiali inediti, la vicenda biografica e artistica della contessa bergamasca Paolina Secco Suardo Grismondi a partire dal 1775, anno in cui iniziò a tenere un salotto che diventò tappa obbligata di gran parte dell’intellighentia italiana e francese del secolo. La contessa allestì inoltre una compagnia teatrale, di cui questo studio ricostruisce motivazioni e repertorio, che diede un decisivo contributo al risveglio intellettuale della società bergamasca del secolo e alla stabilizzazione di un sistema teatrale cittadino che fino a quel momento risultava piuttosto precario.
SUMMARY
The research, based on primary sources and unpublished materials, reconstructs the artistic life of the Countess Paolina Suardo Grismondi in Bergamo since 1775, when she began keeping a salon that became a destination for much of the intellighentia Italian and French of the eigtheenth century. The countess also staged a theatrical company, of which this study reproduces motivations and repertoire, which gave a decisive contribution to the cultural revival of the Bergamo society of the century and the stabilization of a city theater system which until then was rather precarious.
€ 6,00
Entre thèâtre et salons. Les dispositifs scèniques à Milan au XVIII siècle
digital

Anno:
2011
Notre intervention portera sur quelques points concernant une recherche beaucoup plus vaste, à propos de la culture de la mise en scène à Milan au cours du XVIIIe siècle...
1957-1960. L’Ente Autonomo e la proposta di legge per il teatro di prosa. Progetti, dibattiti e protagonisti: da Eduardo a Gassman
digital

Anno:
2008
In 1957, the Ente Autonomo Piccolo Teatro was founded, ten years after the foundation of the theatre in
Milan, and it started a new phase in its life. In the following years, until 1960, Paolo Grassi and Giorgio
Strehler were busy in the hypothesis and drafting of a bill for the theatre of prose. Many protagonists of the
world of theatre were involved in the debate: critics, directors, actors, all committed in re-thinking the Italian
theatre horizon as included, at last, in a precise regulation. So, in 1959, the newly formed Ministero del
Turismo e Spettacolo summoned an appropriate commission to discuss a bill regulating censorship, funding,
and interventions of the Government in the production of the theatre, and in the choice of the repertoire. The
aim of this study is to reenact the debates of those years through the relationships between Paolo Grassi and
the other protagonists of the world of theatre, all involved in a new project. In this context Eduardo De Filippo
and Vittorio Gassman emerged as constant interlocutors of the Piccolo Teatro, in a dense network of reciprocal
artistic exchanges, common projects, co-produced shows, shared or discussed ideas.
€ 6,00
COMUNICAZIONI SOCIALI - 2012 - 1. Il teatro al femminile: declinazioni e intersezioni di due differenze
digital

Anno:
2012
Numero uno del 2012 della rivista "Comunicazioni Sociali"
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COMUNICAZIONI SOCIALI - 2024 - 3. Italian Cinemas and Moviegoing. Venues, People, Management
COMUNICAZIONI SOCIALI - 2024 - 2. BECOMING AGENS. Synesthetic and Active Processes of Image Reception in the Middle Ages
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