Gaia Amadori
Titoli dell'autore
Introduction
digital

Anno:
2024
Introduction by Matteo Tarantino, Gaia Amadori, Manuel Chavez is licensed under CC BY-NC-ND 4.0
Newsmaking and Sensemaking: Facebook Discourse on COVID-19
in Italy in the First Three Months of the Pandemic
digital

Anno:
2024
The uncertainty that characterized the initial phase of COVID-19 involved various actors in attempting to define a common sense regarding the crisis. The newspapers’ pages on social media, especially Facebook, constituted the central spaces where the top-down institutional interpretive framing efforts and the bottom-up representations circulated by users in the comments interplayed. Recognizing the relevance of these aspects, this research examines the interaction between topdown newsmaking and bottom-up sensemaking in the first three months of the pandemic on the Facebook page of the Italian newspaper La Repubblica...
Video Games for Environmental Communication: Raising Awareness through Sandbox Games and Streamers
digital

Anno:
2020
Video games have come to play a significant role in the media habits of various generational cohorts, but particularly of the younger ones. Because of this, serious games have emerged in the past two decades as a viable way to sensitize to sociopolitical issues and today they’re employed also for sensitizing about environmental issues. This research examines the “To The Last Tree Standing” (“Ostatnie drzewo”) campaign carried out in 2017 by advertising agency Ogilvy Poland for Greenpeace to stop the deforestation of the Białowieża forest...
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Ultimi 3 numeri
COMUNICAZIONI SOCIALI - 2025 - 1. Frameless Experiences. For a Multidisciplinary Approach to Immersive Media
COMUNICAZIONI SOCIALI - 2024 - 3. Italian Cinemas and Moviegoing. Venues, People, Management
COMUNICAZIONI SOCIALI - 2024 - 2. BECOMING AGENS. Synesthetic and Active Processes of Image Reception in the Middle Ages
COMUNICAZIONI SOCIALI - 2024 - 3. Italian Cinemas and Moviegoing. Venues, People, Management
COMUNICAZIONI SOCIALI - 2024 - 2. BECOMING AGENS. Synesthetic and Active Processes of Image Reception in the Middle Ages
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