The article combines the genre of the visual essay with written-textual contextualizations, to analyse the attempts to reconstruct the Estonian memorialscape through the removal of Soviet memorials in the second part of 2022. Theoretically grounded in a theory of discursive-material entanglement and assemblage theory, the article investigates these attempts to fixate history, but also the resistance they generate, by paying attention to the human contestations (mainly through a politics of mourning) but also the material resistance and the recalcitrance of historical traces, through everyday life’s desacralizing routines and novel infrastructures, and material decay and neglect...