fbevnts Libri di Valentina Re - libri Comunicazioni Sociali Vita e Pensiero

Valentina Re

Titoli dell'autore

Unsuitable Jobs for Women. Women’s Behind-the-Scenes Employment and Female On-Screen Representation in Italian TV Crime Drama digital Unsuitable Jobs for Women. Women’s Behind-the-Scenes Employment and Female On-Screen Representation in Italian TV Crime Drama
Anno: 2023
This article combines quantitative tools of social research, text-based analysis, and production studies to analyse gender equality and female labour in contemporary Italian TV crime drama. More precisely, we analyse the portrayal of female characters and women’s employment in key behind-the-scenes roles in Italian TV crime dramas distributed from Fall 2015 to Summer 2022. The research has two main goals: first, to understand how crime narratives address gender equality and diversity from a twofold perspective – behind-the-scenes and on-screen; second, to understand if and how a sample analysis, targeting a specific case study, can provide general trends such as those coming from the analysis of broader datasets...
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National Screen Productions and Global SVOD Services: The Case of Netflix in the UK and Italy digital National Screen Productions and Global SVOD Services:
The Case of Netflix in the UK and Italy
Anno: 2018
The purpose of this article is to analyse the role played by the category of ‘nationality’ in global SVOD (Subscription video on demand) services by looking at Netflix and its presence in the European context, with a focus on two key audio-visual markets such as the British and Italian ones. We argue that the persistence of the concept of ‘nationality’ on streaming services, albeit arguably marginal, suggests a new understanding of its function within contemporary media conglomerates...
€ 6,00
Ritratti di signora. Donne del cinema italiano contemporaneo: quattro istantanee digital Ritratti di signora. Donne del cinema italiano contemporaneo: quattro istantanee
Anno: 2007
Faced with the task of representing women, the contemporary Italian ‘auteur’ cinema does not seem to be able to find a third way between relying on a stereotype or recognizing the unfathomability of women, even when there is a woman behind the camera. Through the analysis of four films, two by Emanuele Crialese and two by Francesca Comencini, the essay suggests the persistent difficulties of cinema in dealing with women.
€ 6,00
 

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