La poesia contro i reality. Autenticità e costruzione del valore culturale nella promozione del Giovane favoloso
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Strategies of film marketing are usually put in practice through a range of discourses and contexts. Despite the vast amount of research on marketing and communication in film, little is known about the promotion of contemporary Italian art house cinema. This article addresses Il giovane favoloso (M. Martone, 2014), a film about the figure of Giacomo Leopardi, by focusing on production, distribution and marketing strategies, and paying particular attention to the construction of the cultural value of the film. More specifically, looking at the works of Pierre Bourdieu and Paul DiMaggio, I investigate how marketing strategies define the audience and the cultural field of Il giovane favoloso by linking the ideals of poetry, territory and culture at a local level, and considering the contribution of the Regione Marche film commission and the impact of film on the tourism industry.
Towards the Platformization of (Social) Media Memory: Articulating Archive, Assemblage, and Ephemerality
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