‘Signore di casa’ e ‘Signore di tutti’: ritratti al femminile nella commedia degli anni Trenta
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Starting from the analysis of Gaby’s character in La signora di tutti (Ophuls, 1943), the essay identifies the
origin of female characters populating the comedy of regime. Despite their diversity, these models are the
product of the different narrative frames in which they are set behind a common process of mediation between
Modernity and Tradition. This mediation gently leads the woman within the perimeter of her family, offsetting
the renunciation to an independent life with the conquest of true love.
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