Il teatro e il suo pubblico. Il dibattito sulla ricezione nelle teoriche italiane e nel pensiero di Antonio Conti
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In the eighteenth century, the debate on reception focused on the complex relationship between theoretics and
stage practice, identifying Italian theatre as a constantly evolving area, rich in artistic and cultural ferments,
and which was rendered dynamic by the unresolved tensions of the age. The fertile exchange of ideas between
the faculties of the intellect and the potential of instinct, between the arguments of Enlightenment rationality
and pre-romantic emotional impulses, marked the unfolding phases of reflection on the power of the theatre to
persuade the viewers, kindle their strong involvement, and stimulate complex debates on the aesthetic and
moral ends of art, the modes of presentation and the paradigms of drama. The analysis of the nature of
passions, the revision of the Aristotelian canons, the inquiry into tragic pleasure and its imaginative and fantastic
components progressively identified dramatic art as a veritable communicative context, the focal point
of the most momentous theoretical questions. Within this complex panorama, Antonio Conti’s reflections stand
as a critical and autonomous observation point, responding to the two souls of the century - the rational and
the emotive one, and intertwining the numerous debates on the objectivies and nature of the art of theatre.
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