Note per uno studio dei luoghi della visione filmica
Ebook in formato Pdf leggibile su questi device:
The first signs that film studies were beginning to take an interest in analysis of the frames of cinematic vision came towards the end of the 70s. The revisionist trend emerging in the historical research tradition and the intensification of contacts with the cultural studies approach prompted an expansion of research perspectives, which now sought to include the context, i.e the situation, the set of conditions that mediate the encounter between the film and its viewer, within the list of subjects to be addressed. The essay traces the main lines along which this debate unfolded and the research activity conducted on the places of filmic vision, underlining the crucial nature of this aspect of research for an understanding both of the social and cultural functions of the medium and also of the forms and meanings assumed by the experience of viewing.
Towards the Platformization of (Social) Media Memory: Articulating Archive, Assemblage, and Ephemerality
Ultimi 3 numeri
COMUNICAZIONI SOCIALI - 2021 - 1. Arts-Based Research in Communication and Media Studies
COMUNICAZIONI SOCIALI - 2020 - 3. Saving the Planet Bit by Bit: Environmental Communication in the Digital Age