Il ruolo degli spettatori: forme e significati sociali del consumo della televisione digitale terrestre
|
digital
Articolo
€ 6,00
|
||||||||||||||||||
Articolo |
Ebook in formato Pdf leggibile su questi device:
|
|
|
|
|
The coming of the digital terrestrial television in Italy was accompanied by a thick network of social issues
that in various ways have built and promoted it as a technology endowed with innovative characteristics, able
to transform the experience of television and to satisfy specific needs for interaction and participation. In this
launching and promotional phase of the service and of the necessary devices to access it, which also had economic
characteristics, the attention obviously concentrated more on the production and offer side than on that
of consumption; the audience was taken into account from a potential point of view.
The essay faces an analysis of the television audience which is busy in domesticating the digital terrestrial
platform facing the horizon of consumption, not only through the simple act of purchasing, the simple
usage or the interpretation of its meaning, but collocating it in a circular process with a number of phases
including both the pre-determination of consumption on the production side and its integration in the consumer’s
everyday life.
The essay exposes an explorative, ethnographic and multi-situated research which has extended the
observation to a variety of contexts, supporting negotiation in the family group (through interviews to 31 persons
in 12 domestic units) or in other contexts in which the decision to adopt or not Dtt is taken: from one
side the sales points, from the other the condominium meetings.
The essay, therefore, analyzes the appropriation forms of Dtt between 2005 and 2006, highlighting the
conceptualization of the medium in the imaginary phase, the modalities of appropriation, the incorporation
practices and levels. It can be therefore noticed how Dtt is ‘domesticated’ in the form of integration to the traditional
television, collocating it inside the evolution line of the television medium and excluding, in this
phase, the reference to the wider field of ICTs.
|
Consulta l'archivio
Articoli Online First
“Scusi, chi ha fatto palo?”
Continuità e disruption del calcio su internet in Italia: dalle iptv ‘pirata’ a dazn
Towards the Platformization of (Social) Media Memory: Articulating Archive, Assemblage, and Ephemerality
Towards the Platformization of (Social) Media Memory: Articulating Archive, Assemblage, and Ephemerality
Ultimi 3 numeri
COMUNICAZIONI SOCIALI - 2023 - 2. Internet Research Ethics in the Platform Society: Theoretical Reflections, Research Experiences, and Open Questions
COMUNICAZIONI SOCIALI - 2023 - 1. Gender and Labour in the Italian Audiovisual Industries. Critical Research Approaches and Methods
COMUNICAZIONI SOCIALI - 2022 - 3. Cantautore: the Songwriter in Culture and the Media
COMUNICAZIONI SOCIALI - 2023 - 1. Gender and Labour in the Italian Audiovisual Industries. Critical Research Approaches and Methods
COMUNICAZIONI SOCIALI - 2022 - 3. Cantautore: the Songwriter in Culture and the Media
Annate disponibili online
202320222021202020192018201720162015201420132012201120102009200820072006200520042003200220012000199919981997199619951994199319921991199019891988198719861985198419831982198119801979197819771976197519741973
