Tra finzione e realtà: attori, non attori e spettatori nel teatro del XXI secolo. Questioni aperte

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Articolo

rivista	COMUNICAZIONI SOCIALI
fascicolo	COMUNICAZIONI SOCIALI - 2020 - 2. Learning from the Virus: The Impact of the Pandemic on Communication, Media and Performing Arts Disciplinary Fields. A Round-Table
titolo	Tra finzione e realtà: attori, non attori e spettatori nel teatro del XXI secolo. Questioni aperte Between Fiction and Reality: Actors, Non-Actors and Spectators in the 21st Century Theatre. Open Questions
autore	Roberta Carpani
editore	Vita e Pensiero
formato	Articolo \| Pdf
online da	10-2020
doi	10.26350/001200_000089
issn	03928667 (stampa) \| 18277969 (digitale)
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Descrizione Commenti dei lettori
The article focuses on the relationship between fiction and reality on the XXIth century stage and explores how actors and spectators are changing and shifting identities in the contemporary theatre. Starting from three historical and theoretical paradigms, the Erika Fischer-Lichte’s aestheticsof performative theatre, the notion of participatory art focused by Claire Bishop, the Richard Schechner’s theory of performance studies, the article draws on a series of case studies that refers to the “dramaturgy of the real”. From the survivor in Rwanda 94 by Groupov, to the “experts of everydaylife” and the spectators who are protagonists in the performances by Rimini Protokoll, to the Estonian group TheatreNO99, the borders between fiction and reality and the roles of actors and spectators are challenged and transformed by theatrical experiences which show very intensive exchanges and interactions with visual arts and the media. keywords Performance; performative theatre; contemporary theatre; performing arts; actor; spectator. Biografia dell'autore Università Cattolica del Sacro Cuore, Milan ‒ roberta.carpani@unicatt.it. Inserisci un commento per Tra finzione e realtà: attori, non attori e spettatori nel teatro del XXI secolo. Questioni aperte

Descrizione Commenti dei lettori

The article focuses on the relationship between fiction and reality on the XXIth century stage and explores how actors and spectators are changing and shifting identities in the contemporary theatre. Starting from three historical and theoretical paradigms, the Erika Fischer-Lichte’s aestheticsof performative theatre, the notion of participatory art focused by Claire Bishop, the Richard Schechner’s theory of performance studies, the article draws on a series of case studies that refers to the “dramaturgy of the real”. From the survivor in Rwanda 94 by Groupov, to the “experts of everydaylife” and the spectators who are protagonists in the performances by Rimini Protokoll, to the Estonian group TheatreNO99, the borders between fiction and reality and the roles of actors and spectators are challenged and transformed by theatrical experiences which show very intensive exchanges and interactions with visual arts and the media.