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The analysis of some of the recent works by women video-makers highlights a specific way to use of electronic
language, marked by the proximity and empathy with the subject of their work. Their texts do not
renounce to promote the search for truth, but describe it in a form alternative to that of the greatest part of
nonfiction production. Their objective is neither to protest, nor to shock, but to comprehend, which is considered
a deeper and more genuine form of knowledge.
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