Visualizzare la diva. «La donna del fiume»: qualche appunto sull’attrice diva nel paesaggio d’acqua
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The reconstruction of the screenplay evolution of Mario Soldati’ La donna del fiume offers a classic example of the process of mediation between authorial, productive and cultural instances from which the film script originates. In particular, the analysis shows the results of the censorial pressure concerning the staging of women on his film and, more generally, on the definition of a new model of female star. Even when apparently exercised on other elements of the film, the interventions reveal a containment of the female character, granting a larger diegetic space while respecting the visual (and cultural) standard of representation of women.
Towards the Platformization of (Social) Media Memory: Articulating Archive, Assemblage, and Ephemerality
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