Looking for Film’s Genius as a Medium through Audiovisual Geographies
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Facing a context where the premonition of an expanded cinema is the rule by now, and where the aesthetic canon is essentially the result of remediation, convergence and relocation processes, it is allowed to ask ourselves if the centre of the speculation about cinema stays the same, or rather if the technological and stylistic transformations which invaded the field have an influence in linguistic and – above all – in defining terms. In fact, in a context where – namely – a wide spreading of multiple pattern of filmic fruition takes place, it is easy to get lost and fall under the spell of different charming and inspired works of art, which are undoubtedly interesting from many points of view, but which are on the border between cinema and noncinema.
Towards the Platformization of (Social) Media Memory: Articulating Archive, Assemblage, and Ephemerality
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