«Col tempo. The W. Project» and the ways of pre-vision
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The installation Col tempo. The W. Project, presented at the last Venice Biennale (2009) by the video-artist Péter Forgács is so complex that it can be studied from many different perspectives. The first is certainly a political-sociological one (the treatment of the other according to the ways of reclusion/exclusion as a prisoner of war or individual of a discriminated race; presence of control mechanisms of the dominating political structure, here the Third Reich). We can adopt the point of view of the used techniques – the found footage or the use of video-testimony, video and morphing – or the perspective of art history – the links with the portraiture tradition, especially with Rembrandt and Giorgione.
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