«Col tempo. The W. Project» and the ways of pre-vision - Glenda Franchin - Vita e Pensiero - Articolo Comunicazioni Sociali Vita e Pensiero

«Col tempo. The W. Project» and the ways of pre-vision

digital «Col tempo. The W. Project» and the ways of pre-vision
Articolo
Rivista COMUNICAZIONI SOCIALI
Sezione Open Access
Titolo «Col tempo. The W. Project» and the ways of pre-vision
Autore
Editore Vita e Pensiero
Formato Articolo | Pdf
Online da 02-2015
Issn 0392-8667 (stampa) | 1827-7969 (digitale)
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The installation Col tempo. The W. Project, presented at the last Venice Biennale (2009) by the video-artist Péter Forgács is so complex that it can be studied from many different perspectives. The first is certainly a political-sociological one (the treatment of the other according to the ways of reclusion/exclusion as a prisoner of war or individual of a discriminated race; presence of control mechanisms of the dominating political structure, here the Third Reich). We can adopt the point of view of the used techniques – the found footage or the use of video-testimony, video and morphing – or the perspective of art history – the links with the portraiture tradition, especially with Rembrandt and Giorgione.

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